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This project tests a cost-effective, innovative dredged sediment placement technique targeted to nourish an eroded barrier bar. The dredged sediment was placed in the nearshore in a Cobble Bell, a form designed to allow for efficient dispersal and migration of sediment by natural processes in this location (such as predominant waves and longshore transport) in a desired direction along the bar. We describe the regional and site assessment undertaken, and explain the way design parameters including technical feasibility, assumptions about wave climate, and constructability were accounted for. A monitoring protocol was designed and implemented to measure the vertical and horizontal accretion on the barrier bar. This included survey transects using RTK equipment and surface analysis of beach volume and morphology change via drone images and photogrammetry. Field measurements of the bar indicated that within the first few days, the piled material eroded rapidly, and over the next few months, migrated downshore, widening the previously breached area. This suggests that the cobble bell nature-based feature has the potential to both accelerate and slow down natural processes in ways that enhance the performance and attractiveness of the beach while minimizing costs. In addition to the monitoring results, we describe a monitoring protocol that is both simple and effective which can be adapted by local entities interested in the management of their coastal landscapes.

This article focuses on the use of remotely sensed multispectral imagery for land cover classification, a process that landscape architects may know little about but that underpins many of the maps that they use as the basis for their designs. The relatively arbitrary nature of classification, and the homogenization that occurs when classifying multispectral imagery to create land cover maps, is especially consequential when distinguishing between land and water. Yet ‘finding’ water is a key step in land cover classification. The salt marshes surrounding the Wetlands Institute in Stone Harbor, New Jersey, USA are used as a case study for multispectral analysis that combines satellite imagery with on-site surveying. However, the implications of the digital survey methods extend beyond any particular site and point to broader questions about the role of image interpretation for understanding how landscapes and environments are changing, especially with growing uncertainty about the rate of climate change.

The McHarg Center's Climate Policy Research Group has published Field Notes Towards an International Green New Deal. This three year digital project was produced by RAs Palak Agarwal, Selina Cheah, Yixin (April) Wei, Ian Dillon, Zane Griffin Talley Cooper, A.L. McCullough, and the Wilks Family Director, Billy Fleming. Field Notes ask what it might mean for the rest of the world if the US realizes an eco modernist vision for the energy transition.

In November 2020, the Glasgow Urban Lab at the Mackintosh School of Architecture, the Weitzman School of Design at UPenn, the Landscape Institute, and the Academy of Urbanism came together to celebrate the 100th birthday of one of landscape architecture's and Scotland's pioneers of urban ecology -- Ian McHarg. A symposium was held to look at McHarg's influence, with eyes on the future.

This publication, edited by the Glasgow Urban Lab's Brian Evans and Rachel Howlett, seeks to capture some of the event's essence. 

Later this year, the parties to the Convention on Biological Diversity (CBD) will meet in China to finalize what is being called a “Paris Agreement for Nature.” The agreement will outline global goals for ecosystem conservation and restoration for the next decade, which may include preserving 30 percent of lands, coastal areas, and oceans by 2030. Goals could also include restoring one-fifth of the world’s degraded ecosystems and cutting billions in subsidies that hurt the environment. What are the top three things planning and design professions can do to help local, state, and national governments worldwide achieve these goals?

The McHarg Center's Richard Weller's answer -- Design, Design, and Design!

It’s spring migration season, which means millions of birds could make their way through Philadelphia in the coming weeks. Some could get hurt or die crashing into buildings — but you can help keep them safe, just by turning out your lights.

“Everyone’s home matters,” said Keith Russell, program manager for Urban Conservation with Audubon Mid-Atlantic. “Every commercial building, industrial building, every high-rise.”

The McHarg Biodiversity research group's bird safety banners are featured on WHYY!

The McHarg Center's Richard Weller writes a critically reflects on the Green New Deal Suprtstudio in an article for the ASLA's The Dirt.

"There are two reasons why Superstudio was a good name for an event that would build on the momentum already established by Billy Fleming, ASLA, at the University of Pennsylvania, Kate Orff, FASLA, founder of SCAPE, and Thaddeus Pawlowski at Columbia University to align landscape architecture with the Green New Deal (GND). The first is that with the Landscape Architecture Foundation (LAF), back in 2020, we had all agreed to launch what was literally a supersized international design studio on the hot topic of the GND. The second reason was that Superstudio also recalls the eponymous Italian architecture group of the late 1960’s that specialized in bombastic imagery and anti-capitalist, anti-design rhetoric. This connection was, for me at least, most important because it signaled that the event we were planning was about design culture, not just political culture. The Superstudio is in this way situated as part of a certain modern tradition of speculation, which in turn provides context for the critical evaluation of its meaning..."

A new report published on Monday, co-authored by The McHarg Center's Billy Fleming, lays out a framework for dramatically decarbonizing America by 2030.

This semester, Robert Gerard Pietrusko joined the standing faculty of the Department of Landscape Architecture as an associate professor, following a decade on the landscape architecture faculty at the Harvard Graduate School of Design. His design work, which is produced under the name of his studio, WARNING OFFICE, has been exhibited in more than 15 countries, and he a fellow at the American Academy in Rome in 2021. An inveterate polymath, Pietrusko earned a Bachelor of Music in Music Synthesis from the Berklee College of Music, a Master of Science in Electrical Engineering from Villanova University, and a Master of Architecture from the Graduate School of Design at Harvard University.